|Project Grant Year||Title||Project Overview|
|2020||Where the Water Starts||
In November 2020 NED Foundation provided funding to Mandy King to support completion and promotion of her film “Where the Water Starts”.
The primary objective of the film is to support the campaign by Aboriginal campaigner Richard Swain to protect Kosciuszko National Park and in particular to highlight the damage caused by feral horses which are currently protected within the park.
From the project Facebook Page:
'Where The Water Starts is a documentary at Post Production stage. An Indigenous man and his partner fight to defend the fragile ecology of the Kosciuszko National Park, after a decade of drought followed by the catastrophic fires of 2019-20.'
From the project website:
'Richard Swain loves the bush and wildlife of the southern ranges of New South Wales, where he was born. Richard's deep connection to country and skill as a river guide led him and his partner, Alison to set up Alpine River Adventures. A successful business is now threatened by low water levels in the Snowy River. They both consider climate change is impacting the environment they love. As Indigenous Ambassador for the Invasive Species Council, Richard highlights the damage done by feral horses in the Kosciuszko National Park. ... ... ...'
|2019||Conference Presentation - Healing Power of Reconnection to the Earth||
The NED Inc. Grants Program has funded Barbara Beatson for travel expenses to attend a conference and give a presentation.
The conference she presented at was the 21st International Conference of the ISPS in Rotterdam, 28th August-1st September 2019.
The theme of the conference was "STRANGER IN THE CITY: The circular relationship between alienation and psychosis and the healing power of human reconnection".
The title of Barbara's presentation was : "Healing Power of Reconnection to the Earth".
ISPS is the International Society for Psychological and Social Approaches to Psychosis. More about ISPS on the ISPS website: https://www.ispsconference.nl/
|2018||Balkan Bakal Ku Ku Kubirrinka Yala Manjalaka – Telling Story of Kubirri and The Mountain||
First Peoples First Cultural Foundation Inc. -John Hartley
A unique multi-touch interactive bilingual language E-book based on a major Traditional Aboriginal Story of the Rainforest Ku Ku Yalanji people of Mossman in Far North Queensland (FNQ.) which talks to sustainable and harmonious relationships between people, animals and environment.
The E-book is being made available on a number of digital platforms to be used as a community teaching resource dedicated to assisting, supporting, maintaining and re-igniting Aboriginal culture/s and language/s for the benefit of all future generations.
The book includes original artworks; oral storytelling, songs, dance and film.
This project is working with members of the last-line of fluent Ku Ku Yalanji speakers located in the Mossman area of FNQ.
Maintaining their cultural knowledge and the nuances that exist between land and language should be of critical importance to all Australians.
|2018||Canberra a Restorative City: ACT Restorative Practice Workshop||
ACT Restorative Communities Network and Relationships Australia
A workshop on Restorative Practice (RP) led by Hull RP experts, with a particular focus on schools in the Belconnen are which NED had previously supported.
|2018||Conference Attendance: Making Newcastle a Restorative City||
13 June 2018
|2018||Milingimbi Spoke – Rulku Wangan||
Milingimbi Womens - Group Gwen Warmbirrirr & Elizabeth Ganygulpa
The Project was a local community response to observing that a number of young people were losing their way and getting into trouble. It was decided to take a group of 10 young people on a relay bicycle ride from Palmerston to Alice Springs. This ride was inspired by a group who rode horses on a similar journey.
The Bike ride is called ‘Milingimbi Spoke – Rulku-Wangan’ for the next generation of Yolngu to raise a voice to Australia.
It is a coo-ee call to young people of Australia to come into the heart of Australia to meet with the heart of God.
It is also a call of remembrance to honour the Aboriginal people who fought in the WW1 and WW2, with a gathering at ANZAC Hill in Alice Springs to honour the Aboriginal ANZACS who fought in these wars, particularly to commemorate the 100-year battle at Sameakh in Palestine where a number of Indigenous Lighthorse men were involved in the battle. This will be awakening in the young riders a new sense of honouring of those who have gone before.
We aim to help the young men see the positive role and position of Aboriginal people in this nation past present and future.
The ride will be 1500kms from Darwin to Alice Springs and we will take one month to complete it.
Riders and a support crew visited with many communities on their journey and talked with elders and community members gaining support and offering inspiration.
|2018||Newcastle as a Restorative City Symposium||
University of Newcastle Law Faculty
Major sponsor and ongoing support of project through funding and NED Inc Board member sitting on Steering, and Advisory Committees and Events Sub Committee.
|2018||The Last Word - Triumph, and Tragedy, Hope and Heartbreak in the Life of Gunnedah||
Gunnedah and District Historical Society Inc. (Marie Hobson)
‘The Last Word’ a book which turns the lens on around 750 Gunnedah and district residents who have lived and died in the town.
The book provides a snapshot of those who helped to create the community through sharing of local family history so that people know who they are and where they have come from and how history has shaped who they are now and the towns’ development.
This program contributes to improving linkages, mutual acceptance and co-operation as people develop a deeper appreciation of other residents through shared stories and examination of how their lives have overlapped. Storytelling has been shown to facilitate the development of stronger bonds between people as they begin to understand the challenges faced by others and the contributions that have been made to their shared community.
The project also contributes to building a life-enhancing, inclusive ethos by demonstrating that the town community is interdependent and built on mutually beneficial relationships. It shows that the civic contribution made by individuals benefits others and the town as a whole.
|2018||Trucked Off, Looking Through Windows project||
‘Trucked Off’ will be created and performed as a complement to the Looking Through Windows exhibition at Redfern 107 Gallery, Sydney 14-25 November 2018.
The creative project explores the removal, dispossession and 'protection' of Aboriginal people in NSW.
‘Trucked Off’, and the Looking Through Windows project, engages with Aboriginal communities in Armidale, Bourke, Brewarrina, Campbelltown and Redfern – providing an opportunity for Aboriginal community members to access, endorse and take ownership of their stories, shared histories and creative artworks around removal, and to hear ‘the past echoing in the present’ as Elders share their experiences of being ‘Fenced In’ and ‘Locked Up’.
‘Trucked Off’ will be an immersive, interactive performance reflecting shared memories of forced removal. It will utilise the central prop of an Old Mission Truck (a 1930s Dodge Truck).Elders will reflect, remember, re-experience and re-story a historically important place and time.
Over several months and through a series of creative workshops in community, professional and emerging artists will collect oral histories, photograph and video document the creation and then the immersive performance (by artists, Elders and gallery visitors) of ‘Trucked Off’.
They will also transform Elders stories into song and poetry to be performed and included in the exhibition – a valuable record for the community and a way to use current technology to share history and culture.
|2018||Workshop Attendance: Transforming Conflict – Group Conferencing (Restorative Practice)||
29-31 August 2018
17-19 October 2018
28-30 November 2018
|2017||Daring to Refuse||
This project is collecting a variety of conscientious objector stories and using them as the basis for a radio play script which will be recorded and made publicly available in October-November 2018 to coincide with the centenary of the end of World War I. The stories will be drawn from a diversity of time periods and conflict contexts (from World War I to contemporary examples) and is designed as a counterpoint to the many celebrative commemorations seen regarding the centenary of World War I. In contrast to these events and their recognition of those who served in military operations, this project seeks to recognise and celebrate those who refused to participate in war.
The stories capture not just the courage of these individuals, but also the ideas, visions and possibilities they provided as an alternative to violent warfare. By sharing these highly personal and compelling accounts of principled opposition to war/violence this project hopes to generate increased awareness and acknowledgement of conscientious objector stories and the constructive ideas they offer in the pursuit of a world without war. By making these stories widely available during the centenary of World War I it is hoped that this project will prompt an ongoing discussion about contemporary war-making, its structural causes/undercurrents and the importance/possibility/emergence of alternative nonviolent forms of struggle. Ultimately, this project suggests/highlights how war is not an inevitable component in human/social relations and that we have many brave stories of resistance and construction from which to draw in building a more peaceful future.
|2017||Everything You Ever Wanted||
The grant supported the creative development of ‘Everything You Ever Wanted’, exploring the science of dieting, weight loss and disordered eating, the project is a deeply personal undertaking into a touchy subject area. After nearly a decade of dieting, a fixation on weight loss and some terrible habits around food and body image, Rachel found herself at a rock bottom seeking professional help for binge eating. The process of recovery introduced her to the work of several dietitians and eating disorder psychologists who position themselves as anti-diet. This work explores research from the Health at Every Size community (HAES), the work of Ellyn Satter (MS, RDN, MSSW) as well as the practice of Intuitive Eating. Drawing on her personal experience, Rachel explored the biology and psychology of dieting and how detrimental it is to our physical and mental health – and how the fear of being fat plays out in our relationships with our bodies and the bodies of others. Joining the voices of the anti-dieters, fat activists and scientists before her, this project aims to examine weight bias and disrupt our relationship with dieting.
Rachel worked to engage young people (with a focus on high school students) and others who have a history of eating disorders through the work, giving them an opportunity to critique the messages they receive about food and self-worth, and critically engage in a conversation about body image.
A short documentary showing how colouring and conversation circles have helped many women living in shelters, outreach programs and emergency motel accommodation recover from the shock and trauma of violence domestic violence. The calm, creative and resourceful state induced by colouring is an antidote to the chaos they have experienced. Women in crisis have numerous and complex challenges in overcoming the injuries inﬂicted on them, the trauma to their children and the vulnerability of their pets. Many have found sanctuary in colouring and conversation circles and are able to plan safer, healthier futures for themselves and their children. Dr Carl Jung’s insights into the healing power of mandalas and the new discoveries in neuroscience informed the project.
Mandala Magic explores how participants tap into the “Wise Older Women Within” by talking to women with direct experience of the method either as clients, support workers or program managers. A number of women tell how they began their journey as clients and later became social workers themselves. The ﬁlm is being distributed online and to 20 women’s shelters and domestic violence services along with a box of The Big Girls Little Colouring Book. The ﬁlm will also be used for staﬀ development and training for women’s health workers and as a peer education tool.
|2017 to 2018||PACE Program: Macquarie University||
December 2017 to June 2018 (Final Report)
NED Inc. engaged, subsidised and supervised two Sociology undergraduate students from Macquarie University to initiate research within the following framework:
Research Framework PACE
Overall approach: conduct a Formative Evaluation of the SDN workshop as a model of social development for facilitating change on a personal and community level.
|2017||Re-localising: skills, food and community conversation||
The project focuses on three interconnected localising initiatives:
|2016||Human Earth Systems Performance||
23 July 2016
In 2016, NED supported David to begin development of a new performance looking at the human-earth system.
To help scope the development of the Performance project – a presentation that would highlight ‘big picture’ concepts about the future and its implications, given the physical and social boundaries of planet earth.
A solo performance work looking at the entire Human-Earth System - the whole planet as a linked system. The purpose of the show is to allow an audience to engage with the broad scale complexity of the global system, and to help us answer questions like:
Over 2017-18, David undertook interviews with more than 30 scientists, building up a map of the big changes happening in the world today. The result of this research was a new performance entitled You're Safe Til 2024. With musician Reuben Ingall, David performed this 'live documentary' discussing climate and global change, and how we need to respond to it.
The show premiered at the Griffin Theatre in April 2019 before touring to Bunjil Place Melbourne, Smiths Alternative in Canberra, Straits Clan Singapore and the Sydney Opera House.
18 June 2016
Support for a period of three months at the Environmental Institute of University College, London, researching, learning and developing a theatre model for use in various contexts in Australia.
|2016||Kippax Community Garden, ACT||
Gordon Ramsey of the Uniting Care
Funding support for a community garden project.
|2016||Systems Thinking Training Module||
23 July 2016
Suitable for use by school students in creating games about systems they are in. There is a plan for this to be developed initially in London, then brought to Australia.
|2013||ANU Dialogue Workshop||
The ANU Dialogue group held a workshop near Canberra. Eleven participants took part in an extended conversation co-facilitated by all those involved. Themes included definitions, processes, purpose and potential of dialogue. Silence, movement, music, and creative listening were all used. Since then the Dialogue group has continued to meet monthly, with a sharing of models of dialogue and a mutual learning about how it works in practice and the role of facilitator.
|2011 to 2014||Best Festival Ever: How To Manage A Disaster||
David Finnigan (Boho Interactive)
Best Festival Ever places the audience in charge of programming and managing their own festival. Part theatre show, part performance lecture and part boardgame, Best Festival Ever introduces participants to concepts from Systems Science and asks how we can best understand and manage the complex systems we live in.
"Systems science is abstract and can be difficult to communicate. Boho’s work builds well-crafted, entertaining metaphors, bringing these concepts to life for audiences from all walks of life. We sorely need this kind of experience because many of the show’s systems concepts are missing from our public discourse, and yet we cannot hope to navigate the challenges facing humanity without them." [Dr Nicky Grigg, CSIRO]
Boho’s tabletop systems gaming' project has now successfully undertaken seasons in London, Stockholm, Melbourne, Sydney and Canberra. Since October 2014, Boho has presented nearly 50 separate performances of the work for theatres, museums, science institutions, thinktanks, universities, high schools, conferences, policy-makers and corporate audiences.